Category Archives: Drawings

JEALOUS GUY

Blog discovery: The Jealous Curator

If you haven´t already met the Jealous Curator — it´s about a time.

There is one moment, in the first few seconds, when you look at a piece of art and know that you love it. It’s the moment when, if you’re an artist yourself, you look at it and feel a rush of uplifting inspiration… and total soul-crushing jealousy all at the same time. It’s when you walk away thinking, “Damn, I wish I thought of that.”

The Jealous Curator

As a daily visitor to her inspirational blog — I asked the active blogger for a favor. To name her favorite emerging artists of today — as an artists monitor and a noted aesthete. Her choses were the following:

Ben Skinner (Canada)

“Let´s pretend tomorrow night never happened” by Ben Skinner. White ink on black Alunpanel (2011). Image/Ben Skinner

Anne Lindberg (USA)

“Parallel 25 yellow” by Anne Lindberg. Graphite and colored pencil on cotton mat board (2011). Image/Anne Lindberg

Maurizio Anzeri (Italy)

“Giovanni” by Maurizio Anzeri.  Photographic print with embroidery (2009). Image/Maurizio Anzeri.

Deidre But-Husaim (Australia)

“Beauty Marks” (Bare) by Deidre But-Husaim. Oil on linen (2008). Image/Deidre But-Husaim

Anthony Zinonos (UK)

“Pillhead” by Anthony Zinonos. Collage.

The blogger explanation for the use of the “jealousy” term, which many people relate to a negative emotion, is:

I once heard someone say that when jealousy is kept inside it becomes toxic, but as soon as it’s said out loud, it transforms into admiration.

— The Jealous Curator

I  couldn´t agree more with her. Official jealousy can namely be a successful tool when it comes to appreciation and a sense of humor.

Blog: The Jealous Curator

Artists: Ben Skinner (Canada), Anne Lindberg (USA), Maurizio Anzeri (Italy), Deidre But-Husaim (Australia) and Anthony Zinonos (UK)

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Filed under Art, Collage/Clip Art, Curator, Curator Talk, Digital Art, Drawings, Fine Art, Multimedia, Net stroll, Photography, Print, Textile Art, Visual Art

GRAPEFRUIT / YOKO ONO

On-going: 6th of June – 16th of September 2012, The Modern Museum (Stockholm)

Yoko Ono moved from Japan to the USA with her family in the 1940s, and soon became a leading voice in New York’s most interesting artist circles, which worked with happenings, sound art, poetry and film. Alongside colleagues including George Maciunas, Marcel Duchamp and John Cage and others, Yoko Ono developed totally new modes of expression that questioned the artworld’s increasingly commercial preoccupations, and which left heroic high modernism behind.

The Grapefruit exhibition includes a selection of Yoko Ono’s ‘instruction pieces’, which invite us into imaginative ways of looking at existence and at the making of art. A number of experimental films and pivotal early works show Yoko to be a pioneer of conceptual art and the international fluxus movement, and also reflect the artist’s lifelong struggle for peace and love.

— Moderna Museet

Sophie Koch — Konsthopp’s representative of the night, was armed with her camera at the opening of the exhibition. And she got some great shots to share with us. Thanks to Sophie and we hope you enjoy!

All photographs taken by Sophie Koch / for Konsthopp

On-going: 6th of June – 16th of September 2012

Artist: Yoko Ono

Curator: Cecilia Widenheim

Place: The Modern Museum, Stockholm

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Filed under Art, Collage/Clip Art, Drawings, Installation, Live art, Multimedia, Music, Performance, Photography, Solo exhibit, Video Art, Visual Art

THE DAYS OF THE CHILD PRODIGY ARE OVER

Performance: 25th and 27th of June 2012 at 20.00, Nýló (Reykjavik)

“He suffered from pre-natal depression, has found an outlet in poetry and visual art”

Betus is a child prodigy with outstanding artistic talents. He has been brought to Iceland by the Association of Former Child Prodigies to appear at a special event this June. The Association is honored to welcome Betus to the country. On the occasion of his arrival he will participate in an event in The Living Art Museum where guests are given the unique opportunity to get to know Betus and his work. Betus will not be on his own, joining him will be people of great importance and influence in his life, including his mother as well as his manager, a Native-American from the Southern States, known as the Indian. The mother of Betus and the Indian crossed paths in the early eighties and the three of them have been inseparable since Betus was conceived. Betus’ closest friend and soul mate; Beethoven, a former child prodigy in music, is also coming to Iceland for this occasion. He will be performing piano sonatas both nights.

The curator of the event is the world renowned art therapist, author and academic Dr. Sharon McStone, primarily known for her best sellers “DON’T LET YOUR CHILDS TALENT GO TO WASTE”, “TALENT IS MONEY & MONEY IS TIME” and “THE G-WORD – GENIUSES ARE PEOPLE TOO”. She has specialized in alternative treatment for child prodigies and hyper intelligent individuals to channel their unique gifts into creative paths.

Drawings by Rakel McMahon

The performance at the Living Art Museum will present the piece in its current state of being; it is a part of an extensive process where the dialogue between drawing and text gives birth to a performance and eventually a book published by ÚTÚR publishing.

You can join the event on Facebook here!

Date 25th and 27th of June 2012 at 20.00.

Artists: Anat Eisenberg, Bergþóra Snæbjörnsdóttir, Rakel McMahon, Saga Sigurðardóttir and Yair Vardi. Music and sound is by Eberg. Set and costume assistant is by Eva Signý Berger.

Place: Nýló (The Living Art Museum), Skúlagata 28, Reykjavik

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Filed under Art, Artist books, Curator, Drawings, Favourite of the month, Iceland, Konsthopp, Performance, Reykjavík, Uncategorized

IMAGINATION WITHOUT BORDERS

Closed: 21st of April – 6th of May 2012, Hafnarhúsið (Reykjavik)

Students from the departments of Fine Arts, Design and Architecture at the Iceland Academy of the Arts, exhibited their graduate projects at Reykjavík Art Museum – Hafnarhús, earlier this month. The exhibition is usually impressive and this year was no exception.

Let the pictures speak for themselves.

Photographs by Konsthopp

Washing machine, washing the Icelandic flag ; super-sized swing ; cloud machine ; gramophone (Jónófón) in new costume — the imagination was prevailing at every turn at Hafnarhúsið and wholly without any borders.

Cheers everyone!

Date: 21st of April – 6th of April 2012

Artists: Graduation students from Fine Arts, Design and Architecture Department

Place: Hafnarhúsið, Tryggvagötu 27, Reykjavik

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– 33

On-going:, 14th of April – 6th of May 2012, Kling & Bang (Reykjavik)


Demons, fiends, devils, sorcerers, monsters, werewolves …

Somehow — spring usually brings out my inner demons. And sometimes I´m lucky enough to meet some of them — unexpectedly — on my way.

Sigga Björg creates a mysterious world of all kinds of creatures in her latest exhibition: ” – 33 ” at Kling & Bang Gallery. Up to this point, the artist´s creatures have been anonymous but now you can meet and even buy the little devils.

Please, let me introduce; Max, Gaab, Dianna, Jacobb, Benedict and Najim.

“Max” (or I think this is Max)

“Gaab”

“Dianna”

“Jacobb”

“Benedict”

“Najim”

“Max” (or I think this is Max)

Photographs by Konsthopp

I´m going to end this short entry with a text from the exhibition catalog under the heading Looking the Devil in the Eye by Goddur:

“Demons, fiends and devils visit our dreams and visions. They appear on everyone’s inner hemisphere. So do angels, nymphs and little elves, flashing before us on the peripheries of our vision. However, very few are willing to acknowledge this and accept it, let alone draw it on paper and thereby transfer the vision into this world. Most people dismiss it as fantasies and hallucinations, ashamed even to mention that it happened. Nevertheless, the devils and demons symbolise certain things. They harbour our hidden impulses and feelings.”

Guðmundur  Oddur  Magnússon (Goddur)

Today is the last day to look the devil in the eye!

Date: 14th of April – 6th of May 2012

Artist: Sigga Björg Sigurðardóttir

Place: Kling & Bang Gallery, Hverfisgata 42, Reykjavik

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KIDS STUFF

Art workshops for children in Reykjavik

It might sound strange but during national (economic) depression — people often seem to have more children. Iceland is there no exception.

In the year of 2009 and 2010, more children were born in Iceland than ever before. These periods are in daily life called baby boom. People born during such a period are often called baby boomers.

Art workshop at Kjarvalsstaðir. Photo/Ragna Kjartansdóttir

Painting by a child at Gerðarsafn

Art work by various children at Listasafn Íslands

An installation at Gerðarsafn

Drawing by a child at Gerðarsafn

Art workshop at Kjarvalsstaðir. Photo/Ragna Kjartansdóttir

Photographs by Konsthopp

While it is trendy to have a baby, the biggest art museums in Iceland work hard to please the parents. Recently, the first Children´s culture festival in Reykjavik was launched. Many art workshops for children of all ages were scheduled. Almost anything was possible. The youngsters could create swords and shields, forge settlement era style jewelry, kites, masks and draw runes.

Where there are children, there is life. All kind of people showed up. Young, old, big, small, known, unknown. In the middle of the crowd you could spot the culture-minded Mayor of Reykjavik, poets and popular DJ´s. Thanks for this enjoyable enterprise.

I´m already excited to watch out for our future artists!

Artists: Various children

Places: Listasafn Íslands, Gerðarsafn, Kjarvalsstaðir and Nýló

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DET LÄMNADE

Vernissage: 12th of April 2012, Art Concept Store (Stockholm)

On-going is an exhibition by Anna-Maria Hilborn and Jannike Simonsson at the artist-run gallery Art Concept Store. The exhibition “Det lämnade” (the left ones) revolves around abandoned houses and delicated loneliness. With mixed media of paintings, drawings and collage (of i.g. old letters and stamps) the artists explore the human absence — at the same time as “the left ones” give the viewer a possibility to mentaly move in and fill up the vacant spaces.

The exhibition is opened between 12.00 – 16.00 next weekend!

“Det lämnade” by Anna-Maria Hillborn & Jannike Simonsson

Work by Anna-Maria Hilborn

Work by Jannike Simonsson

“Detroit II” by Anna-Maria Hilborn

Photographs by Konsthopp

Artists: Anna-Maria Hillborn & Jannike Simonsson

Date: 12th – 22nd of February 2012

Place: Art Concept Store, Bjurholmsplan 23, Stockholm

Opening hours: Saturday – Sunday, 12.00 – 16.00

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Filed under Collage/Clip Art, Drawings, Paintings, Stockholm, Young Art

OUR EVERYDAY LIFE

Artist Studio #3 : Daniel Milton (Stockholm)

Thanks to the online community we came in contact with Daniel Milton who through his blog gives an insight into his life working as a full-time artist.

Would never recommend anyone to become an artist but the matter is of course that you make things with your own hands and with the talents you’ve picked up on the way — wake up every morning and create your everyday life, world and happiness. Make your own decisions about assignments, hours, coffee breaks and vacations. Life.
(From D. Miltons post, C’est ma vie – translation by Írena)

And each weekday, between 09.00 – 16.00, D. Milton goes to his atelier in Stockholm to work on what he’s best at — creating his art. I was lucky enough to be invited into his studio for some snapshots and in the mean time learn more about the artist and his work.

Photograph by Konsthopp

I must say that for me it is absolutely absorbing to be invited into the different studios and meet people who all tell their individual stories — but who share in common the decision of creating their everyday life as an artist.

Check out some of the photographs from our latest studio visit here or follow Miltons blog directly (in swedish) at http://dmilton.blogspot.se/!

Special thanks to Daniel Milton and happy Sunday to everyone!

If you are interested in opening the doors of your studio, please send us a line at konsthopp@gmail.com



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Filed under Art, Collage/Clip Art, Drawings, Konsthopp, Photography, Stockholm, Workshop visit

“CURATOR WILL ALWAYS PLAY AN IMPORTANT ROLE”

— Interview with Alexander Jean Edvard le Sage de Fontenay (Iceland)

When did you start curating? Tell us something about your educational background?

During my last couple of years in highschool (Menntaskólinn við Hamrahlíð) I attended numerous of art history classes and art classes. I had an especially inspirational art teacher that year, Louise Hazell A Harris, and I believe I am lucky that she has taught me. The first art show were I was directly involved in the planning, was held on my graduating year. It was an exhibition of her student’s works from one of her classes, which I went to as well. At her request, I helped the teacher promote it in my school, gather art pieces and I even made a flyer.

For me, the ball actually only started rolling for me quite recently. After I began studying Art History at The University of Iceland I got involved in a number of things. I started writing for the school paper (Stúdentablaðið), helped plan events for students studying art history and last but not least, opened a gallery with a few of my fellow students, called Artíma gallery. The reason we went into doing this was in our opinion a lack of practical courses which are available for art history students. This way we get to exercise our curatorial skills.

Our first exhibition opened in October last year (2011). I have been involved in two shows so far. The first one being a group exhibition of works by 14 artists from The Iceland Academy Of Arts. The second exhibition was called S/H/91-93 and was also a group exhibition of ten black & white works by ten artists who all study primary art education.

What is the artistic field of your curatorial practice?

I enjoy making art myself. I guess the artistic field of my curatorial practice is having a say in what art pieces are ultimately selected by the artists, arranging the pieces to ensure that the right mood is achieved in the exhibition space and also helping the artist find the best suitable way for his works to be presented.

Is there a difference in curating different field of arts, etc. paintings, videos, interactive works or a piece of net art?

Of course. Each medium has a mind of it’s own. The best exhibitions in my opinion, are those that include works of different mediums. And where the art pieces are arranged according to the nature of each exhibition space. In S/H/91-93 I had a few installations and a number of wall based works. I nurtured the artists needs while also filling the space accordingly, to create diversity. I tried to create a contrast with the wall-based art and used the installations in between to maintain balance.

From S/H/91-93. #1. “Án titils” by Magnús Ingvar Ágústsson #2. “Út fyrir rammann” by Krista Alexandersdóttir #3. “Undir smásjá” by Sólveig Eir Steward #4. “Eðlislega óeðlislægt” by Kristín Þorláksdóttir

What kind of qualities do you think a curator should have?

I think a curator should be personable and friendly. It is important for him to have a good relationship with the artist (or artists). He should be able to keep cool at all times. He should do little things like bring a pizza when those finishing touches are being added the night before opening a show.  While he should be friendly he should have leader skills and determination. A lot of things may be riding on a show. But regardless if the show is a success or not, the artist (or artists) should have confidence in the curator.

Do you think that new and digital media used in contemporary art has brought new aspects to arts and curating? Yes or no, explain why?

Internet art has been around since the mid 1990s. Since then it has evolved and so has, obviously, all technology. There was a “revolution” in digital video, making it easier for more artists to work with video. So that’s a definite: Yes.

In times of “You Tube” and the Internet, do you think a curator is still needed?

Yes. I think the curator will always play an important role in the art world. Websites such as Youtube, Vimeo, Flickr, Deviant art, Tumblr to name a few, have made it a lot easier for artists to promote themselves. It has also helped a lot of people find what they’re looking for and to discover new things. This does not make a curator less needed. I believe that just like people won’t stop talking to their friends in real life (offline) they won’t stop going to galleries and museums. Because seeing a work of art online is never the same thing as seeing it face-to-face as a part of an exhibition. Period.

What are your curatorial plans for the future? What are your personal wishes, hopes and perspectives in curating?

In April I will be curating an art show in Artíma gallery. It’s going to be the collected works of a couple of vivacious girls. They have shown a lot of potential. One of them is studying fine arts at The Iceland Academy of Arts and the other is in Reykjavik School of Visual Art. It is going to be collaborative work and some independent work from both of them. Video art, a few sculptures and I’m pretty sure there will be some wall-based art as well. I’m excited about that. In June there will hopefully be a big group exhibition to welcome the summer. There has been a discussion of collaborating with another student gallery, run by the fine arts department at The Iceland Academy of Arts. I would like to be part of that.

My wish is that future art galleries that are in similar scale as Artíma won’t have a hard time gathering funding. Unfortunately, today it is quite a task for galleries (even bigger ones than Artíma) to do this. Me and many of my fellow students are in agreement that for art to flourish “the little guys” have to be given some air to breathe.

Curators should be able to work completely hand-in-hand with artists. This is THEIR world. Artists are not supposed to be scared of consulting or collaborating with artist and vice versa.

What is the future of professional curating from your point of view?

Art history as we know it began in the 19th century. The University Of Iceland began offering art history courses less than a decade ago. In just that time a lot has happened. Curators have gotten more attention in Iceland. I believe things will only get better. In times of lessened funds towards the strengthening of artistic practice, I think interest in art and art history will thrive. As long as people keep working hard for what they believe in and others keep showing their support. Lengi lifi listfræðin! (e. long live art history).

From S/H/91-93. #1. “Triptych” by Valdemar Árni Guðmundsson #2. “Femme Individuelle” by Dýrfinna Benita Garðarsdóttir #3. “Lord Donald is a Pale Horse” by Eysteinn Þórðarson #4. “Undir smásjá” by Sólveig Eir Steward

Photographs by Fritz Hendrik Berndsen IV

Alexander Jean Edvard le Sage de Fontenay (1991) is an art history student at University of Iceland. Despite young age, Alexander is already taking his first steps as a curator. He is a member of Artíma gallerí, a curator run gallery in Reykajvik, managed by students of The University of Iceland. Alexander has been involved in two exhibition in the gallery so far, but Konsthopp first met him at the “S/H/91-93” where he curated ten black & white works by equally many artists. He will next be curating an exhibition at the gallery in April. We are already looking forward to keep an eye on this fireball in the future.

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Filed under Curator, Curator Talk, Digital Art, Drawings, Group exhibit, Installation, Konsthopp, Multimedia, Uncategorized, Video Art, Young Art

“CRIMINAL INSIDES”

The title of his exhibition caught my attention.

Criminal Insides

In a relationship to the opening of his first solo show in Stockholm, I was curios to learn more about the Romanian artist, Remus Grecu. The man who — as he self defines it — represents through his art some of the outcasts in our society. I mailed him a few questions and I am proud to say that he didn’t lack a clever answer. Read through it! and if you feel like discussing any of the answers further with the artist, be sure you show up at the opening at Berns Asiatiska, tomorrow (Wednesday) at 16.30

Tell us about your upcoming exhibition at Berns. Why “Criminal insides”?

“Criminal insides” — firstly because the subject is about criminals (murders, rapists, etc) and insides because it is much about the inner psychic of a criminal rather than the simple physical presence of it. I choose to draw portraits of criminals because to me, they represent the image of the outcasts. As an artist I relate myself somehow to such people, in the matter of not considering myself — more or less — as being part to any of the societies.

Before the image of the criminal itself I have taken as starting point the understanding of the cause and the effect of a crime … What is in fact a crime?! … A temptation what ends up badly, a sin or is just an unaccountable sickness?! I find it very interesting, the mysterious chemistry of such subject, in fact I’m attracted of the dark side of human mind, the psychology and philosophy of it, how this begins and dies within the human brain. Since our societies are made to exist under strict rules where everything is tried to be placed on the right spot, I find the criminal phenomena as being the chaotic side of such world. And this attracts me the most — the braking point of these rules — the darkness and often incomprehensible part of our world.

I wanted to bring in the front of the viewer the raw almost beastly primitive side of the man. This man who ‘stands’ next to us and which most of the time is only judged rather than to be understood.

What kind of relationship do you have to your motives? How are they different from your relationship to the final pieces?

I do things that attract me the most, things that I relate myself with and which I believe in. I have made portraits of criminals, drawn obese and mentally ill people because I relate myself to them in the way of being an outcast and living on the edge of the society. In fact they are the metaphors of my own person. I’m not a criminal in the active way but inside of me I feel like one of them. I’m not an obese but I live an almost secluded life, like many of the obese people do because of their handicaps. I’m almost always looking for the weak, for the disadvantaged subjects. I have a protesting activist view in the favor of the weak or disadvantaged subjects and so this is why I work with these themes, because this is more or less me.

In fact, an obese and (most of the time) a criminal are for me the victims of the people who posses the power over the masses, the ones that deliver the information. Indeed a crime can be explained as a pathological reality but still how does it grow and exist inside the human mind?! It’s a long existential process between the “power” and the victim and I’m not going to explain it now but I can say that many things I see and understand every day makes me to believe we live in a world of slavishly stupidity in which people fight very little for their rights to exist. I believe in some kind of equality not in the communist way but in the ethical sense and so most of my work is close to some kind of fight for the right to exist. I think we live more and more a sad reality under the power of big international corporations what coerce the freedom of people, like for example banks.

As an artist I feel very much as being an activist towards the inequity within the societies. I’m tired to see pathetic esthetically and not even beautifully made pieces of so-called art. I think beauty and ugliness in art is forever dead. As long as the history of art is full of amazingly beautifully made paintings, I don’t see the point to make anymore art in the esthetically sense only. I wonder where is the point and the place for such art?! Maybe they are good to match the color of the couch or the floor but nothing else. I think art today should have a wider view and a very strong meaning. Anyhow I think I departed a bit from the question, I hope though I have made me self clear towards the relationship with my motives.

Would you say your art is defined as serious? If so, how so?

As we all know art is one of the most subjective and complex reality to be explained. Who decides if art is serious or not?! In fact, what means to be serious or not in art?! I don’t have to many opinions from other people towards my work, so I can’t say how serious or not my art come across to others. I can say though that for me it is a total belief and this is the most important thing to be able to exist as an artist, to believe in what you do. The rest comes after it, people like it or not, take it serious or not. I can’t decide for others beliefs and taste.

Art — like anything else — is in the end just a taste, you can’t force someone to like a film by Sergei Parajanov or to convince somebody that Dante Alighieri is indeed one of the biggest poets of all times. I do know though that sadly art is most of the time just a tool in the hands of powerful and influential people, and so they are to be the ones to decide if an artist makes or doesn’t make some serious art. I so often see it in notorious Art Galleries — pieces of brainless so-called art but I suppose that is considered serious art as long as it is shown in such places.

As an artist you are not considered as being “serious” as long as you hang around with “little people” but once you have an influential person behind you — you got a quite good chance to be shown to the biggest masses and become a star or a so-called “serious” artist, only over a night.

Some say you are a technical genius. What kind of techniques/material do you use to create your work?

“Technique genius”! I have so many problems when it comes to such matter that I can’t even consider me self as being good, but to be considered a genius in this way, I still have a long, long way to go. It is funny though because I’ve heard this before from some other people too. I just think being a “technical genius” is more a matter of comparisons to other artists.

And for me, it is not too much of a comparison. I use probably the most simple and basic materials for my work, for the paintings I use oil on linen and for the drawings I use pencils and nowadays, charcoal on paper. So, there isn’t so much to explain or say about it.

Despite your technical masters, I am more interested in the topic of your work. What would you say is your biggest inspiration?

My biggest inspiration?! I don’t know, maybe it is the day by day experience of the secluded life I live, it is more like creating what my demons tell me to. I can say I read quite a lot, mainly alternative press and I like to sum up information all the time about people, situations, etc … I also watch films, almost everyday but not the shitty Hollywood things, I watch “real alive” films. I don’t know if I would say I have a real inspiration like a visual artist, a writer or so. I do indeed appreciate some artists. Like for example; Mathew Barney and Do Ho Suh. I also can say that Tarkovsky is in my opinion indeed what people call it a “genius”.

On the other hand I don’t have a real inspirational relationship with his amazing work, it is more that I respect and appreciate endlessly what he did in his rather short life. For me he is an inspiration in the matter of being immortal. Otherwise the political and psychosocial day by day events is my main and real inspiration.

With that in mind, what are your favorite themes/subjects to illustrate?

The themes I choose are definitely connected to the image of the man. I do believe people are the most complex creatures in the world, therefore everything that is related to us and our physical presence, is the hardest and the most interesting thing to be represented in art. I try as much possible to create imagines of people in political or “dark” social involvements. I am not attracted in people as much as a physical appearance. I like the world that can be created within the existence of the man. I’m interested to create images of certain situation connected to us. I also use sometime the image of animals as metaphors for human beings.

For the moment I make a series of drawings with a quite dark base underneath. They are images that represent our relationship to the death, dehumanization, false information etc … In fact each of the latest drawings I made has its own story as this time I didn’t want to make a large series of art works that has the same base. That’s why I like the drawings with the criminals.

Photographs belong to Remus Grecu

And last but not least. You are born and raised in Romania. Why Stockholm?

It’s a short long story. From the beginning it wasn’t meant to be Stockholm, I thought I would live the rest of me life in London, town in which in fact I used to live for four or five years. After those — mainly hectic — years of living in London, I just felt I had to leave that town and find a more peaceful place to live. And so here comes Stockholm with its peace and long and dark winter, which by the way I love and I find very inspiring.

For me when producing art, I need a quite town to live in, without ‘revolutions’ and big ‘energetically fluctuation’. I make my own restless world myself and so I don’t need to have that kind of world around me too. And Stockholm is the perfect place when it comes to this.

Vernissage: 14th of March 2012

Time: 16.30 – 18.30

Artist: Remus Grecu (represented by YoungArt)

Place: Berns Asiatiska, Berzelii Park, Stockholm

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Filed under Art, Artist Talk, Drawings, Konsthopp, Political Art, Solo exhibit, Stockholm, Visual Art, Young Art