Category Archives: Konsthopp

dOCUMENTA (13)

Weekend breather: dOCUMENTA (13)

Big apologies about our absent lately! I’m hoping that a short brief through our photos from dOCUMENTA will cheer you up and give you a fresh air for the weekend.

We will be back on track sooner than you expect, so stay tuned!

/Ingunn & Írena

 

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Filed under Art, Art festival, Art stroll, Curator, dOCUMENTA, Konsthopp, Photography, Political Art, Public space, Science, Sociopolitical art, Textile Art, Video Art

COLLAGES IN PASTEL COLORS

Pinterest picks of the moment

Photographs taken from pinterest

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Filed under Art, Collage/Clip Art, Konsthopp, Net stroll, Uncategorized

NEW ART FESTIVAL

Zinkovy Arts Festival: 1st – 30th of September 2012 (Czech Republic)

Zinkovy Arts Festival, a brand new arts festival will be launched in Žinkovy, Czech Republic 1st of September. This will be the inaugural exhibition in a series of shows that will become a part of the diverse european cultural landscape, positioning Zinkovy Arts Festival as a part of the a narrative of contemporary art. The Pilzen area which includes the Zinkovy Arts Festival has been nominated to be the cultural centre for Europe in 2015.

The exhibition aims to collaborate and strengthen the already excising cultural infrastructures found in the Czech Republic, as well as creating a platform where international artists work can meet. Using art as a medium for development, articulation and exchange of ideas. By introducing artist to a wider context, with an emphasis on transcultural exchange, art becomes a medium for development, articulation and exchange of ideas. The participating artist have the opportunity to work on location from two or more weeks prior to the opening. This will create the opportunity for potential collaboration and discussion with a multitude of artists.

— Read more here


Date: 1st – 30th of September 2012

Creative Director: Hrafnhildur Gissurardottir (IS)

Artists: Aleksandra Vajd (CZ), Hynek Alt (CZ), Michela Pelusio (IT), Rini Antonissen (NL), Hans Christian Dethleffsen (DE), Julia Amelia Fischer (DE), Christopher Charles (AU), James Hensby (AU), Bogomir Doringer (RS), Daniel Von Keller (CH), Þórdís Erla Zoega (IS), Denisa Kollarova (SK), Sona Borodacova (SK), Mirko Lazovic (RS), Nina Frankova (CZ) , Jack Pam( AU), Kristinn Guðmundsson (IS), Peter Sattler (AT), Hrund Atladóttir (IS), Björk Viggósdóttir (IS), Elva Guðmundsdóttir (IS), Jude Crilly (CA), Floris Schönfeld (NL), Wietska van der Ploeg (NL),  Ada Avetist (AT),  Anne de Boer (NL) , Daniel Dressel (DE), Eloise Bonneviot (FR), Hrafnhildur Helgadóttir (IS), Sæmundur Þór Helgason (IS), Jason Hendrik Handsma (NL) and Jiri Makovec (CZ)

Place: Zinkovy Chateau. Western Bohemia, Czech Republic

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HEIMSENDIR / THE END OF THE WORLD

Vernissage: 10th of August 2012, Artíma Gallerí (Reykjavik)

Natural disasters, weapon of mass destruction, reversal of Earth’s magnetic field or excessive alcohol drinking …

What’s wrong with the world? — What might end it? — And why?

These are classic questions which are often asked even though it´s given that nobody knows — for sure — the correct answer.

Here is a tiny glimpse of how our world might end …

Photographs by Konsthopp

Death, disaster and — to a lesser extent, notions of apocalypse have always been visible in the art history. Concerns about the end of the world were often found in films of the 50’s, 60’s and 70’s and the topic seems to have made a remarkable comeback in further contemporary art forms last decades. The theme appeared most recently in “Heimsendir,” an ambitious group exhibition in Artima gallery.

The exhibition was particularly diverse, as you can expect when 23 artists are displaying their work together. The artists are former classmates that studied together at the Iceland Academy of Arts from 2006 to 2009. After their graduation the students headed to different directions — all bringing back new educations, experiences and outlooks.

Apparently — the classmates were cheerful to renew their friendship. After a great night out — waking up the day after with appropriated hangover — some of them probably thought:

Hey, this headache might end the world!

Date: 10th – 19th of August 2012

Artists: Amanda Tyahur, Anne Marte Overaa, Arna Óttarsdóttir, Auður Arna Oddgeirsdóttir, Bergdís Hörn Guðvarðardóttir and María Dalberg, Brynja Kjartansdóttir, Davíð Hólm Júlíusson, Emil Mangúsarson Borhammar, Erla Silfá Hordvik Þorgrímsdóttir, Haraldur Sigmundsson, Hlynur Heimisson, Jonatan Jannert, Kolbrún Ýr Einarsdóttir, Rebekka Guðleifsdóttir, Sara Ross, Sigurlaug Gísladóttir, Solveig Pálsdóttir, Sunna Schram, Þorvaldur Jónsson, Þórarinn Ingi Jónsson, Þórður Grímsson and Örn Alexander Ámundasson

Curator: Árný Fjóla Ásmundsdóttir

Place: Artíma Gallerí, Skúlagata 28, Reykjavik

P.s. In relation to the exhibition the artists published a book that can be bought at the gallery. If you are interested you can check out the graduation exhibition from the same group in 2009 here

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Filed under Art, Group exhibit, Iceland, Konsthopp, Multimedia, Reykjavík

ARTIST DISCOVERY #7

Painter: Guo Honwei (China)

Although Guo Hongwei might be well-known in the contemporary visual art world — I first noticed him yesterday. And I absolutely fell in love with these beautiful, washy, everyday things by the Chinese artist.

Photographs taken from Connoisseur Contemporary

Since the beginning of his career, Guo Hongwei has used oil painting and watercolor as a method to investigate the relationship between the objects he chooses to represent and the boundless possibilities of the chosen medium.

Only 30 years old, he has gained well-earned international repetition for his outstanding work.

About the artist

Born in Chengdu, China in 1982 and now based in Beijing, Guo Hongwei has gained international recognition in the contemporary art world for his unconventional treatment of his chosen medium and the simplicity at which he renders his subject matter. He first established his career and name with a series of work that is highly personal in nature. They are based on his own childhood photographs and mostly monochromatic in colour. What stands out is his technique of building and blurring his images, achieved from applying and diluting each layer of paint; which is meant to mimic the way memories get eroded, replaced and deleted.

 

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HÚSÓNÆÐI

Performance: 18th of August 2012 at 15.00, Njálsgata 48 (Reykjavik)

#1. 101 Reykjavik, heading south …

#2. Road to nowhere …

#3. My favorite electronic equipment …

#4. This is Gunnilla — the host …

#5. Her holy bedroom …

#6. Pancakes, anyone …

#7. Or drinks …

#8. Home sweet home in moderation …

Photographs by Konsthopp

Date: 18th of August 2012

Where: Gunnilla´s home

Who: Konsthopp, editors, foreign journalists and Gunnilla

Topics: Candidas, bulletloans and healthy recipes

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AUTUMN ASSEMBLY IN AUGUST

Flavor of the month: Watershed

After a long and “oh-so-wanted” summer break — witch passed by “oh-so-amazingly-fast” — I can finally welcome my favorite season. The fall.

Although it´s sunny and over 20 °C outside my window (it doesn´t get any warmer here in Iceland) — all I can think about is misty days, multicolored leaves and my new umbrella.

Photos taken from google and pinterest

Watershed, a turning point or — a milestone are typical for this time of the year. Exciting assignments are coming up. Accordingly — the editors of Konsthopp are back to school, trying new exciting education. And I will finally move to my own “oh-so-wanted” apartment, with my “oh-so-fat” newborn.

Despite days loading work and other ethical obligations (e.g; changing diapers and doing boring housework!) — Konsthopp will try to keep on track, reporting live from the Nordic alternative art scene!

Happy fall everyone!

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Filed under Art, Art festival, Favourite of the month, Iceland, Konsthopp, Stockholm

“I LIKE ALL KIND OF TUBES. THE YOUTUBE AND THE WHITE CUBE”

– Interview with Jacopo Saltarelli (Norway)

When did you start curating? Tell us something about your educational background?

I was born in Firenze in 1459. I know this may sound strange, but it all makes perfect sense. You see, I started out as an apprentice goldsmith. Soon, however, I found that prostitution was something I felt comfortable with, and liberated by. Through my work, I befriended Leonardo da Vinci, and became a model for many of his masterpieces. At the age of seventeen, they payed to sodomize me in public, and I spent two month in jail together with da Vinci and three of his friends.This became a turning point for me. After we were released, I discovered a paradox in the space-time continuum, contained in Leonardo’s asshole. I traveled through it, and was catapulted forward in time to a small cabin by the Norwegian coastline. Some young artists from the city of Oslo happened to find me, and after a bit of small-talk, they invited me to be the curator of a new gallery space. So here I am, back from the past to talk about the future.

What is the artistic field of your curatorial practice?

This is a question of specifying some form of limit to curatorial practice, something which I believe contradicts the basic non-meaning of the term. If you’re a curator who only curates video art, or collage for that matter, you’re already a stuck up, pretentious kind of guy, who seeks artists who adapt to his or hers designated niché one way or the other, and the exhibitions you create will end up fetishistic at best.

I like to curate artists which relate to some of my personal perspectives. Including, but not exclusive to, sexuality, scientific negation, blasphemy, perfection, beauty, rebelliousness, time, space and immortality. And also, things. You could say I’m a bit of a fetishist myself.

Saltarelli Salong

Is there a difference in curating different field of arts, etc. paintings, videos, interactive works or a piece of net art?

There is no reason why we should separate these fields and exhibit them as different practices. This is artes vulgares thinking at its most anal, and I dont think the material should be considered superior to the idea and context of a given artwork. In my youth the church was the only place to rock. Today, I find strict categorization close to impossible with the new, transmutational practices in this android age.

What kind of qualities do you think a curator should have?

Sadly, a curators traits is of an obnoxious charater. Public relation and sale, contextualization through media, projections of personal insecurities and so on. Overly charismatic and slick. A demigod wannabe. I think the curator is something which has emerged through the artists need to be collaborative, while still standing like a lone ranger on an heroic cliff. The lonely artistic genius is exactly that, a lonely arrogant man. Nothing gives us a greater thrill than satisfying our sense of exhaustion and ennui by polishing the bars of our prison cell. As jail, the museum leads to isolation.

Do you think that new and digital media used in contemporary art has brought new aspects to arts and curating? Yes or no, explain why?

BWPWAP? Yes, for me, I prefer keyboards over sloppy handwriting. It’s a way of immortalizing our own monologues. #YOLO

Work by Frido Evers / Saltarelli Salong

In times of “You Tube” and the Internet, do you think a curator is still needed?

I like all kind of tubes.The YouTube and the White Cube. One doesn’t necessarily exclude the other.

What are your curatorial plans for the future? What are your personal wishes, hopes and perspectives in curating?

Exploring the depths and caveats of art through Saltarelli Salong I also wish to materialize myself in a 3D hologram, exhibit works in a church, and travel back to Italy to see the social change of the last 500 years and feel the salt of the earth once more. The intestinal wormhole of da Vinci has taught me that money is a means to and end, the end being death.

“The Man and the Tree” / In SALT’s latest exhibition, Geir Backe Altern plants an illegal tree outside of the gallery

Photographs belong to Saltarelli Salong

What is the future of professional curating from your point of view?

Why so serious? That is my biggest concern. Art should not be dull or afraid of its shortcomings. Let’s leave behind this slick, slimy, unreasonably complex sociolect which contemporary art personifies to the point of neurosis. Contemporary art as presented today is the tragedy of perfection. The curator is often blamed as the legitimatizing force for commoditizing an ostensibly unapproachable field of useless innovation. But this is of course not the curators fault.

SALT (Saltarelli Salong) operate through weekend exhibitions, happenings, screenings, concerts and workshops mainly focsed on exhibiting young artists based in Oslo.

SALT is named after Jacobo Saltarelli, an apprentice goldsmith and notorious male prostitute who lived in Firenze during the renaissance. In 1476 Leonardo Da Vinci was arrested, spending two months in jail, along with several young companions, on the charge of sodomy with the then 17-years-old Jacopo.

Jacopo Saltarelli is now the founder, curator and gallerist of SALT. He was in his own time accused of being ‘party to many wretched affairs and consents to please those persons who request such wickedness of him. SALT believes this to be much the same service delivered by the majority of contemporary art.

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Filed under Art, Curator, Curator Talk, Konsthopp, Oslo, Performance, Political Art, Visual Art

THEATRE OF LIFE ARTISTRY

Net stroll: The Artist Theater (Iceland)

It might sound risky — or even ridiculous — to bring visual arts into the traditional theater environment. After all, the theatre  is (most of the time) a vast establishment where experiments are usually not allowed.

Ásdís Sif Gunnarsdóttir / Photo by http://www.mbl.is/ Skapti

The “Artist Theater” is a group of artists from different directions that make glamorous evenings of performances in the basement of The National Theater in Iceland.

The group was originally founded at Klink og Bank in 2004 and has been working together every now and then, ever since.  In The Artist theater the audience can expect anything, the work is rarely rehearsed and the artist perform on each others work.

The Artist theater 2012 / Photo by Ingvar Högni Ragnarsson

In arts — the joy of creation is often hidden in the final outcome and is therefore totally out of sight from the audiences. This is dissimilar to what takes place in the Artist theater, where the process of creation is often in real time and for that reason — very visible.

Snorri Ásmundsson, an artist and a member of the group wrote this to explain the phenomenon further:

The phenomenon of The Artist theater is in fact undefined, founded by performance artists who had the need to have a go at existing methodology and format of performances and the theater. In Iceland there exists a strong tradition for the art of performances, here a very unique scene has evolved. A scene that surely needs to be regularly explored. Our size and geometrical isolation certainly effects this need.

Snorri Ásmundsson

Feedback of the past performances have been strong and seems to be significant in today´s Icelandic cultural life. The Artist Theater wants to evolve, awaken and contribute to all people who are ready to accept.

The Artist theater 2012: Snorri Ásmundsson, Ásdís Sif Gunnarsdóttir, Ingibjörg Magnadóttir, Ragnar Bragason, Saga Sigurðardóttir, Margrét Bjarnadóttir, Ragnar Kjartansson, Kristín Anna Valtýsdóttir, Rakel McMahon, Ástrós Elísdóttir, Símon Birgisson and guests.

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Filed under Art, Favourite of the month, Iceland, Konsthopp, Live art, Net stroll, Performance, Reykjavík, Sociopolitical art, Visual Art

LIFE CLOCK

Vernissage: 22nd of June 2012, Den Frie Centre of Contemporary Art (Copenhagen)

Every summer, Den Frie Centre of Contemporary Art invites artists to curate an exhibition with a focus on the latest tendencies in contemporary art. This year the art group A Kassen, curates the show and present their own view of interesting art right now, inviting 12 Danish and International artists to take part in the exhibition. The title of the show, Life Clock, is taken from one of the works by French artist Bertrand Planes. The piece consist of a clock that does not record time as normally — in hours and minutes — but instead counts years and age approximated from the average lifespan of a Frenchman. The clock is adjusted so that it’s 54.800 times slower than a normal clock and keeps time with the artists’ actual age. With this simple gesture, Bertrand Planes changes our perception of time from anonymous, collective and perhaps meaningless — to an image of personal vanity and a reminder of the transience of life.

One of Konsthopp’s good friend in Copenhagen, Amir Zainorin, was present at the opening night and took some shots. Enjoy!

Photographs by Amir Zainorin

Date: 23rd of June – 12th of August 2012

Artists: Honey Biba Beckerlee (DK), Julius Von Bismarck (DE) and Julian Charriere (FR/CH), Torben Christensen (DK), Cyprien Gaillard (FR), Robin Gommel (DE), Anna Molska (PL), Simon Dybbroe Møller (DK), Bertrand Planes (FR), Att Poomtangon (TH), Wilfredo Prieto (CU), Troels Sandegaard and Ebbe Stub Wittrup (DK), From The Confected Video Archive of Kling & Bang Gallerí: Hekla Dögg Jónsdóttir, Loji Höskuldsson and Úlfur Grönvold (IS).

Curator: A Kassen art group

Place: Den Frie Centre of Contemporary Art, Oslo Plats 1, Copenhagen


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Filed under Amir Zainorin, Art, Art stroll, Collage/Clip Art, Copenhagen, Group exhibit, Guest blog, Konsthopp, Photography, Sculptures, Visual Art, Workshop visit