Category Archives: Print

JEALOUS GUY

Blog discovery: The Jealous Curator

If you haven´t already met the Jealous Curator — it´s about a time.

There is one moment, in the first few seconds, when you look at a piece of art and know that you love it. It’s the moment when, if you’re an artist yourself, you look at it and feel a rush of uplifting inspiration… and total soul-crushing jealousy all at the same time. It’s when you walk away thinking, “Damn, I wish I thought of that.”

The Jealous Curator

As a daily visitor to her inspirational blog — I asked the active blogger for a favor. To name her favorite emerging artists of today — as an artists monitor and a noted aesthete. Her choses were the following:

Ben Skinner (Canada)

“Let´s pretend tomorrow night never happened” by Ben Skinner. White ink on black Alunpanel (2011). Image/Ben Skinner

Anne Lindberg (USA)

“Parallel 25 yellow” by Anne Lindberg. Graphite and colored pencil on cotton mat board (2011). Image/Anne Lindberg

Maurizio Anzeri (Italy)

“Giovanni” by Maurizio Anzeri.  Photographic print with embroidery (2009). Image/Maurizio Anzeri.

Deidre But-Husaim (Australia)

“Beauty Marks” (Bare) by Deidre But-Husaim. Oil on linen (2008). Image/Deidre But-Husaim

Anthony Zinonos (UK)

“Pillhead” by Anthony Zinonos. Collage.

The blogger explanation for the use of the “jealousy” term, which many people relate to a negative emotion, is:

I once heard someone say that when jealousy is kept inside it becomes toxic, but as soon as it’s said out loud, it transforms into admiration.

— The Jealous Curator

I  couldn´t agree more with her. Official jealousy can namely be a successful tool when it comes to appreciation and a sense of humor.

Blog: The Jealous Curator

Artists: Ben Skinner (Canada), Anne Lindberg (USA), Maurizio Anzeri (Italy), Deidre But-Husaim (Australia) and Anthony Zinonos (UK)

Leave a comment

Filed under Art, Collage/Clip Art, Curator, Curator Talk, Digital Art, Drawings, Fine Art, Multimedia, Net stroll, Photography, Print, Textile Art, Visual Art

WHERE DO WE GO FROM HERE?

Final words: The Icelandic Love Corporation

It’s the last day of June and time to move on. Before we continue onto the summer — keeping a lower profile on the country side — we are wrapping up the “flavor of the month“, closing June with an artistic work that touches upon existential and political issues, which is theatrically staged with a humorous angle — in a peculiar fusion of realism and surrealism…

Happy summer everyone!

The Icelandic Love Corporation — Eirún Sigurðardóttir, Jóní Jónsdóttir, Sigrún Hrólfsdóttir and Dóra Ísleifsdóttir (who left the group in 2001) — met in Reykjavík, at the Icelandic College of Arts and Crafts. Their first big performance was “The Kiss”, featuring the artists kissing and was broadcasted on national TV in 1996.

The Kiss / Photo taken from ICL’s homepage

A kiss — they say — that was a little bit longer than a friends kiss but a little bit shorter than a lover’s kiss. In the end of the performance one of the artists kissed the camera lens and in the meantime, sent a kiss to every home in the whole country.

“With this performance we were trying to spread love and good feelings,” Sigrún says (in Grapewine 2007).

And since then — since that first kiss — the mission of the group has only expanded in line with their steadily growing career.

Women good enough to eat / Photo taken from ILC’s homepage

To The Icelandic Love Corporation, there are no rules — anything goes and nothing is irrelevant. Even though spreading love and good feeling is a part of their performances, The Icelandic Love Corporation has never been afraid to go all the way. Humour, femininity and carelessness is mixed with political thoughts and serious topics in their work, which is mostly performative — depending on time, place and “had-to-be-there” moments.  The group is enigmatic and their vibrant, life affirming work is both transient and anonymous. It’s not resistant to pin-pointing or analysing — and trying to do so is rather futile. Their work is honest — and refreshing — with a serious undertone that isn’t unwieldy. As is written in an interview with the group in the SiouxWire Annex from 2006:

“As a whole, their body of work is like an ornate diary, a window into their own personal journeys with the most incredible, enlightening outlook”.

“Where do we go from here?” / Photographer: Páll Stefánsson

Through performances and other mediums (including installations, prints, textile, sculptures, poetry, photography and videos), the group works to breakdown the distance between art and audience, and their projects often result in participatory events or public offerings. In one of their latest collaboration with Lilith Performance Studio in Malmö, the group created — in a living web of 5000 nylon pantyhose — a singular visual experience “Think Less, Feel more” that worked on irrational levels of the thinking process. The performance had its starting point in the visible and invisible contacts between people — conveying experiences of control and lack of control, conflict, sensitivity and elasticity …

… taking the performance artform just a one step further.

Think Less – Feel more / Photo taken from Lilith Performance Studio

The Icelandic Love Corporation (Gjörningaklúbburinn) was established by four Icelandic women in 1996 and since then, the group has gained a reputation both in Iceland and abroad. The fourth member (Dóra Ísleifsdóttir) left the group in 2001 but the three remaining members; Eirún Sigurðardóttir (1971), Jóní Jónsdóttir (1971) and Sigrún Hrólfsdóttir (1973), have kept on making artwork together, tour the world and surprise both audience and bypassers with innovative performances and lasting by-products including installations, sculptures, prints, textile, photographs, poetry and videos. Believing in the power of collaboration, the ILC’s history counts more than 200 exhibitions, as they’ve performed in small galleries and large museums, collaborated with renowned artists and musicians (f.ex. Björk) and invaded public spaces in major cities across the world. Their work can be found found in numerous public and private collections. 


Leave a comment

Filed under Art, Choreography, Documentary, Iceland, Installation, Live art, Media, Music, Performance, Photography, Political Art, Print, Reykjavík, Sculptures, Sociopolitical art, Sound Art, Textile Art, Video Art, Visual Art

ARTIST DISCOVERY #6

Graphic designer: Regína María Rourke (Iceland)

Over a cup of coffee in Reykjavik last winter — my friend told me about her artist friend in New York. My friend´s friend — Regína María Rourke — is in fact an amazingly talented graphic designer. She re-appropriates both original and found images, re-balances and restructures it into a totally new artwork.

Photograohs belong to Regína María Rourke

Actually, I don´t know anything about the artist but her stunning artwork where catchy enough to caught my attention and make me more curious about her.

Happy Monday everyone!

Artist: Regína María Rourke 

Place: New York

Leave a comment

Filed under Art, Design, Iceland, Illustrations, Konsthopp, Print, Uncategorized

PAVILION FOR REVOLUTIONARY FREE SPEECH

Vernissage: 25th of May 2012, Kunsthall Charlottenborg (Copenhagen)

This exhibition, a major installation by German artist Thomas Kilpper was originally created for the group exhibition Speech Matters at the Danish Pavilion at the 2011 Venice Biennale. The work took the form of a raised wooden platform attached to the exhibition building and into the wooden floor where the artist carved 33 portraits of leading figures around the world. These are the people Kilpper believes have been directly or indirectly responsible for promoting censorship, social exclusion or intolerance. His main focus is freedom of speech and censorship, but which is also extended to the freedom of travel and migration.

20120529-162632.jpg

20120529-163121.jpg

20120529-163420.jpg

Kilpper said that doing the printing of woodcarving technic forces you to go slowly, through the need to cut into this material — the block of wood — before you are able to make a print from the wooden template as opposed to the digital printing which pretty much sums up of the current lifestyle with its extremely accelerated levels of production and consumption.

In Charlottenborg the visitor can stand on the floor between the negative images in the matrix, whilst seeing the positive counterpoint of these images in the actual prints installed in the space and be presented with the choice to chart between these positions.

20120529-164228.jpg

20120529-163644.jpg

20120529-163835.jpg

20120529-163948.jpg

Photographs by Amir Zainorin

Thomas Kilpper was born in 1956 in Stuttgart and lives and works in Berlin. He was trained at the Kunstakademie Düsseldorf and the Städelschule, Frankfurt am Main. His work has consistently investigated the relationship between history, politics and collective memory, often taking the form of large-scale site-specific installations and floor carvings. Kilpper has exhibited both across Europe and America and has since 2006 run the Berlin-based project space After The Butcher.

Date: 25th of May – 5th of August 2012

Artist: Thomas Klipper

Place: Kunsthall Charlottenborg, Nyhavn 2, Copenhagen

Leave a comment

Filed under Art, Copenhagen, Design, Illustrations, Installation, Konsthopp, Political Art, Print, Sociopolitical art, Visual Art

ARTIST DISCOVERY #1

Graphic designer: Elisa Vendramin (Italy)

It´s always gratifying to discover new artist. Shortly before Christmas I was hunting for seemly gifts at PopUp verzlun in Harpa.  The search seemed to be everlasting — and then — suddenly, I saw something that caught my eye.

Northen lights by Elisa Vendramin – Digital print

Daylight by Elisa Vendramin – Digital print

Vatnajökull by Elisa Vendramin – Digital print

Northen lights 2 by Elisa Vendramin – Digital print

These digital prints are for sale. The artist — Elisa Vendramin — is an Italian graphic designer, currently based in London. Elisa works in image making, where she combines delicate drawings with fantastical, three-dimentional settings and landscapes. She is also fascinated in experimenting with different printing and production techniques.

According to the Mei Moses All Art index number, it´s the right time to invest in art. At least, it seems to be at lower-risk than investing in stocks these days!

A photo brain. A self portrait by the artist

Photographs belong to Elisa Vendramin

Artist: Elisa Vendramin

Place: Pop-up market at Harpa, Reykjavik concert hall

2 Comments

Filed under Art, Digital Art, Illustrations, Konsthopp, Photography, Print, Reykjavík, Uncategorized

EXCITING WEEKEND AHEAD

Friday — the 20th of January 2012

There is an exciting weekend ahead for art lovers and aesthetes in Reykjavik. Santiago Sierra initiate the program with a performance, The Black cone in Austurvöllur today at 13.00.

For those who hunger for more Sierra, there is an exhibition opening with his work and polemical documentaries in Reykjavik Art Museum, Hafnarhúsið tonight at 20.00

No pope © Santiago Sierra, photograph courtesy of Estudio de Santiago Sierra 

Saturday — the 21st of January 2012

The unusual exhibition; Cyborg(s):Strange Creators and Creations will be launched in Kópavogur Art Museum, Gerðarsafn tomorrow at 15.00.

The curators of the show are Úlfhildur Dagsdóttir and Helgi Hjaltalín Eyjólfsson but the exhibition is based on the synonymous book by Úlfhildur which explores man´s fearful fascination with machines and technology. The exhibition will be opened by the Icelandic writer, Sjón.

The cover of the book; Sæborgin: Stefnumót líkama og tækni í ævintýri  og  veruleika. Photo taken from Spássían.is

At 17.00 same day, Gallery Kling og Bang will open their first exhibition of the year; Powerful picture (obsession-original) by Erling T. V. Klingenberg.

Sunday — the 22nd of January 2012

The exhibitionUnder Deconstruction by Libía Castro and Ólafur Ólafsson is now running in the National Gallery of Iceland. In relation to the show,  a lecture by the literary scholar; Hjálmar Sveinsson will be held on Sunday at 14.00.

Under Deconstruction was commissioned by the Icelandic Art Center for the Pavilion of Iceland at the 54th International Art Exhibition – La Biennale di Venezia in 2011 and was curated by Ellen Blumenstein.

Your Country Doesn´t Exist – 2011. Photograph courtesy of Libía and Ólafur

Happy art weekend everyone!

Leave a comment

Filed under Art, Art Magazine, Artist books, Artist Talk, Comic Art, Conversation, Digital Art, Game Art, Illustrations, Installation, Konsthopp, Lecture, Media, Music, Performance, Photography, Political Art, Print, Reykjavík, Sculptures, Solo exhibit, Uncategorized, Video Art, Visual Art

DECEMBER DELIGHT

This month´s favourite: Ingibjörg Birgisdóttir (Iceland)

Ingibjörg Birgisdóttir is an Icelandic video artist, mostly known for her music videos and album covers for Seabear, Múm and Sin Fang Bous. She graduated from the Icelandic Academy of the Arts in 2006 and has taken part in several art exhibitions in Iceland, Europe, and America. The work by Ingibjörg are truly emotional, elegant and adventurous.

Photographs belong to Ingibjörg Birgisdóttir

Lately Ingibjörg has been working for Sóley, a great musician and a good friend of hers. Sóley is also a member in the indie collective; Seabear, but the band is leaded by Ingibjörg´s boyfriend; Sindri Már Sigfússon. When it comes to the Icelandic music and art industry, everybody seems to be connected — in one way or another!

For those who haven´t yet listened to Sóley´s second solo album, We sinkI encourage all of you take your time and listen to this exceptional album.

The work by Ingibjörg is our delightful eye-candy this month!

1 Comment

Filed under Art, Collage/Clip Art, Design, Drawings, Illustrations, Konsthopp, Print, Reykjavík, Uncategorized, Video Art, Visual Art