Category Archives: Uncategorized
Net stroll: 3rd of September 2012, Børre Sæthre (Norway)
The Norwegian artist Børre Sæthre is known for his art installations that remind the viewer of the settings of science-fiction films — bringing each visitor into a fantastic and dreamlike universe.
His spaces are usually sculptural and reconstructed environments that includes; light, soundscapes or moving images. Reflection from his Nordic homeland and childhood memories can easily been recognized in his work — along with some selection of art, film, design and architectural history.
The artist is a brilliance — when it comes to building a negotiation strategy between; chaos and control — beauty and ugliness.
Photographs taken from google image
Børre Sæthre was born in 1967 in Oslo, Norway. He lives and works in New York and Oslo. He has had several solo exhibitions including; “From Someone Who Nearly Died But Survived”, Bergen Kunsthall, Bergen, Norway, “I’ve Been Guilty of Hanging Around”, Participant Inc, New York, “Powered by Zero”, Galerie Loevenbruck, Paris and “Module for Mood”, Thread Waxing Space. His work has also been displayed in numerous of group shows.
Vernissage: 31st of August 2012, Tidens Krav (Oslo)
The opening of Kjerringen og Rúsí will open — just about now …
In the fall of 2011, Tidens Krav announced an open call for calls. Artists and curators were invited to submit a project proposal orally, through calling Tidens Krav’s automated tele-application service. The rules were simple: the caller could only use the spoken word to convey their project proposal. Any reference to visual material or documentation of their work or practice, was disregarded. This left Tidens Krav fumbling in the dark, with a sometimes clear, other times muffled, singing, drunken or stuttering voice as its only guidance. Proposals by the following artists and curators were accepted:
Birta Gudjonsdottir (IS)
Chris Succo (UK)
Jasper Griepink (NL)
James Hoff & Børre Sæthre (US/NO)
Mom & Jerry (DK/DK)
Rachid Laachir (BE)
Vemund Thoe (NO)
The following Icelandic artists will display their work tonight.
Photo by Birta Gudjonsdottir
About the artists:
Helgi Thorsson exhibits new works made in his studio in Reykjavik and at Tidens Krav, specifically for this exhibition. His installations are composed of oil paintings on wood and found material and sculptures made from paper-maché, plaster, and found material from flee-markets. His color palette relates to the 1970s and many of his motives as well, with references to music and TV culture of the time. Many of his works relate to an excessive drinking- and party culture often related to the image of Iceland.
Steingrimur Eyfjörd exhibits new works made in his studio in Dale in Sunnfjord, Norway, where he has resided with his family the past two years. As an Icelandic resident in Norway, his identity as such has become a red thread through his most recent works, an ensemble of various works titled „Kellingin”(kjerringa/the old hag). Along with drawings, sculptures and instructional works, revealing his processing and somewhat criticism of Icelandic and Norwegian society and culture, he presents a 2.000 pages bookwork-diary spanning the time from when he moved to Norway until now, a part of his vast, ongoing collection of browse-through texts & images, based on his dreams and recollections, and interviews with elderly Icelanders.
Date: 31st of August – 16th of September 2012
Curator: Birta Gudjonsdottir
Place: Tidens Krav, Skippergata 18, Oslo
Zinkovy Arts Festival: 1st – 30th of September 2012 (Czech Republic)
Zinkovy Arts Festival, a brand new arts festival will be launched in Žinkovy, Czech Republic 1st of September. This will be the inaugural exhibition in a series of shows that will become a part of the diverse european cultural landscape, positioning Zinkovy Arts Festival as a part of the a narrative of contemporary art. The Pilzen area which includes the Zinkovy Arts Festival has been nominated to be the cultural centre for Europe in 2015.
The exhibition aims to collaborate and strengthen the already excising cultural infrastructures found in the Czech Republic, as well as creating a platform where international artists work can meet. Using art as a medium for development, articulation and exchange of ideas. By introducing artist to a wider context, with an emphasis on transcultural exchange, art becomes a medium for development, articulation and exchange of ideas. The participating artist have the opportunity to work on location from two or more weeks prior to the opening. This will create the opportunity for potential collaboration and discussion with a multitude of artists.
— Read more here
Creative Director: Hrafnhildur Gissurardottir (IS)
Artists: Aleksandra Vajd (CZ), Hynek Alt (CZ), Michela Pelusio (IT), Rini Antonissen (NL), Hans Christian Dethleffsen (DE), Julia Amelia Fischer (DE), Christopher Charles (AU), James Hensby (AU), Bogomir Doringer (RS), Daniel Von Keller (CH), Þórdís Erla Zoega (IS), Denisa Kollarova (SK), Sona Borodacova (SK), Mirko Lazovic (RS), Nina Frankova (CZ) , Jack Pam( AU), Kristinn Guðmundsson (IS), Peter Sattler (AT), Hrund Atladóttir (IS), Björk Viggósdóttir (IS), Elva Guðmundsdóttir (IS), Jude Crilly (CA), Floris Schönfeld (NL), Wietska van der Ploeg (NL), Ada Avetist (AT), Anne de Boer (NL) , Daniel Dressel (DE), Eloise Bonneviot (FR), Hrafnhildur Helgadóttir (IS), Sæmundur Þór Helgason (IS), Jason Hendrik Handsma (NL) and Jiri Makovec (CZ)
Place: Zinkovy Chateau. Western Bohemia, Czech Republic
Net Stroll: 28th of August 2012, Linnea Strid (Sweden)
Photographs taken from Linnea´s website
Linnea Strid, a Swedish painter and photographer will be displaying her stunning work next time at Galleri Diana (Uppsala) in September with the solo exhibition “Washed up and left behind.”
Performance: 18th of August 2012 at 15.00, Njálsgata 48 (Reykjavik)
#1. 101 Reykjavik, heading south …
#3. My favorite electronic equipment …
#4. This is Gunnilla — the host …
#5. Her holy bedroom …
#6. Pancakes, anyone …
#7. Or drinks …
#8. Home sweet home in moderation …
Photographs by Konsthopp
Date: 18th of August 2012
Where: Gunnilla´s home
Who: Konsthopp, editors, foreign journalists and Gunnilla
Topics: Candidas, bulletloans and healthy recipes
Performance: 29th of June 2012 at 20.30, Gallerí Dvergur (Reykjavik)
In a live performance on the opening day at Dwarf Gallery / Gallerí Dvergur, Thomas Hörl will introduce himself as an Unnesko, a personalized world heritage.
The title of the show; „Unnesko“ is a word creation, refering to a world heritage organisation Unesco. More and more Austrian folkore groups such as the „Perchten“ of Gastein (Salzburg County) in the year 2011 or the Imst Carnival „Schemenlaufen“ (Tyrol) in 2010 were recorded to the list of Intangible Cultural Heritage in Austria by the UNESCO.
Since customs always changed over the years, there are tendencies to keep them „original and traditional“, mostly refering to late 19th and early 20th century records from folklorists. In the oral history and strongly belief only males are allowed to participate in the performances. There are only few groups which are mixed genders or women only. None of that is mentioned in the official presentation of UNESCO, except for the Glöcklerlauf in Ebensee (Upper Austria). In the exhibition Thomas will show collages and two video works, as well.
You can join the event on Facebook here!
Pictures from “Medicine Mountain – Learn to Love in Seven Days I” by Thomas in Salzburg County (2010)
Photographs belong to Thomas Hörl
Thomas Hörl was born 1975 in Salzburg. He has long dealt with various aspects of “folklore” — autobiographically-regionally as well as within an international context. In terms of content, his focus is on ritualized forms of activity and threatening gestures such as the slitting open of bellies by the Perchten and the stories associated with them from the Alps. He deals with fearful elements within the tradition, but also with gender questions (hermaphroditic creatures, duality, heteronormativity, exclusion of women as performers, men in women’s dress — so-called Gesellinnen). His works start from research in libraries, museums, exhibitions, at folkloric events, and through select interviews with members of the population as a kind of seismographic field research.
— Cornelia Reinisch
Solo performance: 14th & 15th of June 2012, CCAP Studios (Stockholm)
“Vulnerability, beauty, innocence. The white and the clean. Eggs on the inside and on the outside. When did I become a woman? When will I become the woman I want to be?” A solo performance on restraining oneself and to be free.
Disa Krosness / Tove Brunberg. (Translated by Konsthopp)
Photographs by Disa Krosness & Írena Steindórsdóttir
The performance, What came first? – The woman or the egg? is a study of projected femininity and how it manifests itself in the body. The opening scene starts with a woman — clean, pure — sitting on a chair, dressed in white, red high heals, painting a face on an egg. Spread around her and attached to her spine are the fragile eggs, which she carefully handles and proceeds around with caution. The solo is performed without music or sounds, so Tove’s facial expressions — titters, smiles, eye-contacts — and movements, are powerful and portray a feeling of insecurity, self-consciousness and restrictions. Under the performance, the woman lose her balance, falls and an egg shatters… after that, there is no going back for her…
Tuve Brunberg said this about the process of the project:
”It was a partnership that really challenged me as a person, on a private level but also on an artistic level. It has been a deep dive into myself as a person and what is actually important in the job as a dancer. It has been demanding physically as I have been executing expression that I am not accustomed to perform, such as “facial choreography” or mime, and other movements that did force me to push my limits physically and mentally.”
(Translated by Konsthopp)
The idea first came from Disa Krosness (1985), a dancer and choreographer, and is a result of a month-long collaboration between Disa Krosness, Tove Brunberg and Anna Lo Engwald (costume designer) in a residency at CCAP Studios in Stockholm. The whole project is basically no budget but Stockholm City contributed 10 000 for the marketing, costumes and props and CCAP offered free studio. Disa Krosness says that ..” the wish is to put it up on a gallery, where I think it would fit well. I am also seeking ways to make it into a dance film”.
I really hope her wish comes true — and that more people can enjoy this outstanding performance!
Disa Krosness (idea & choreography) is born in 1985 and trained as a dancer at the Schools of Modern Dance in Copenhagen. In the spring of 2012 Disa initiated Friends, with Benefits, a platform to promote cooperation among female dancers. In line with her desire to highlight newly established choreographers and dancers, Disa is involved in organizing the dance festival MOVE TO BE MOVED and has recently started the dance group Lativ Super, were the vision is to raise the dancer and choreographers status in society.
Contact info: email@example.com
Tove Brunberg (process & presentation) is born in 1986 and has worked as a freelance dancer since she graduated from the Royal Swedish Ballet School (modern line) in 2006. She has produced and participated in performances with the group ches: co, which she helped establish in 2006 and which has performed in various places in Stockholm. Tove has also done her own solos as well as working in sets with Susanne Jaresand, Lotta Melin, Carl Olof Berg, Dorte Olesen, Sebastian Lingserius, Ossi Niskala and SU-EN Butoh Dance Company.
Contact info: firstname.lastname@example.org
Performance: 25th and 27th of June 2012 at 20.00, Nýló (Reykjavik)
“He suffered from pre-natal depression, has found an outlet in poetry and visual art”
Betus is a child prodigy with outstanding artistic talents. He has been brought to Iceland by the Association of Former Child Prodigies to appear at a special event this June. The Association is honored to welcome Betus to the country. On the occasion of his arrival he will participate in an event in The Living Art Museum where guests are given the unique opportunity to get to know Betus and his work. Betus will not be on his own, joining him will be people of great importance and influence in his life, including his mother as well as his manager, a Native-American from the Southern States, known as the Indian. The mother of Betus and the Indian crossed paths in the early eighties and the three of them have been inseparable since Betus was conceived. Betus’ closest friend and soul mate; Beethoven, a former child prodigy in music, is also coming to Iceland for this occasion. He will be performing piano sonatas both nights.
The curator of the event is the world renowned art therapist, author and academic Dr. Sharon McStone, primarily known for her best sellers “DON’T LET YOUR CHILDS TALENT GO TO WASTE”, “TALENT IS MONEY & MONEY IS TIME” and “THE G-WORD – GENIUSES ARE PEOPLE TOO”. She has specialized in alternative treatment for child prodigies and hyper intelligent individuals to channel their unique gifts into creative paths.
Drawings by Rakel McMahon
The performance at the Living Art Museum will present the piece in its current state of being; it is a part of an extensive process where the dialogue between drawing and text gives birth to a performance and eventually a book published by ÚTÚR publishing.
You can join the event on Facebook here!
Date 25th and 27th of June 2012 at 20.00.
Place: Nýló (The Living Art Museum), Skúlagata 28, Reykjavik
Online publication: KATALOG (Canada)
“Irony serves as an alibi for a fetish.” (Nathaniel Wing)
Fetish is one of my favorite words in the dictionary. There is something fascinating, disturbing and — well — disgusting about fetishism. My prospects about this perverted phenomenon; often makes me laugh.
And more people seems to be preoccupied by fetish.
A new issue of KATALOG was recently launched. For those who don´t know — Katalog is an e-magazine dedicated to the practice of performances and live arts around the world. The magazine is a free paperless performance publication, published quarterly by the Central Canadian Center for Performance. CCCP’s main aim is to create awareness and document performative and live arts.
Eva Ísleifsdóttir wrote the following words about her performance; “It´s a sign“:
… Walking around Cork city center with a big traffic symbol on my back. The by-passers offering their help but I politely said no. It was heavy and awkward. The Cul de sac is a traffic symbol that indicates a dead-end street. Using the symbol as a representation of reality, I walked the streets of Cork with a big traffic symbol on my back. Traffic symbols weight a lot in modern society, warning signs, indications, they are directing us, for our own safety. Older civilizations recognized the power of symbols and used them extensively in everything. What if the ´normal´ traffic signs and symbols are subliminally and cynically trying to tell us something? …
— Eva Ísleifsdóttir
Rakel McMahon, which our readers should be familiar with, presents in the same issue her new work; “What is the purpose; it´s allreadmade.” Let´s see what the artist says about her artistic approach.
.. I´m interested in approaching and presenting my subject matter with reinterpretation, metaphors, and reevaluation of serious/humor and what is considered normal. The subject and issues I like working with are connected with gender, sexuality, stereotypes and normality.”
— Rakel McMahon
You can download Fetish, the 6th issue of KATALOG, here!
KATALOG is an online publication with video and sound capabilities which is dedicated to the practice of performance and live art. Each issue deals with a different type of performance and in this issue we focus on artworks that deals with the object as an accompaniment or as the main focus of a performative work. This call is open for artists from all disciplines from around the globe.