Tag Archives: architecture

BUCKY DOME

Open: 17th of May – 20th of September 2012, Architecture / Moderna Museet (Stockholm)

Performance “da Wind Chi goes Cherry”, performed by Bengt Carling, Kerstin Lindgren och Tommy Adolfsson

It was back in the summer of 1971 when the Modern Museum — in collaboration with Bengt Carling — built a “Dome” inspired by Buckminster Fuller’s (Bucky) architecture ideas of “more is less”. And this same summer, the jazz musician Don Cherry, the artist Moki Cherry, their two children Neneh and Eagle-Eye Cherry along with a dog and a cat, lived at the old prison at Skeppsholmen — next to the Modern Museum. Under the summer the family invited friends and fellows — both musicians and artists — to the “Dome” where they played music, jammed, performed, painted and had pedagogic programs for children, teens and adults.

As you can imagine this time is remembered by many as “a pleasant and delightful period at Skeppsholmen”.

So — with that in mind — the Modern / Architecture Museum (in collaboration with Bengt Carling and Bengt Berger) are recreating this delightful atmosphere of the 70’s in their backyard this summer. Between May and September 2012, an ambitious program has published with live concerts, performances, workshops, yoga classes etc. The entry is free (!) except for the every-week Saturday concerts.

Performance “da Wind Chi goes Cherry” by Bengt Carling, Kerstin Lindgren och Tommy Adolfsson

I was there at the opening day, the sun was shining, the music playing and I could just imagine the summer of 71. There was a pleasant scent of nostalgia — an added peace and love — in the air. The best thing about the “Dome” this summer is that it’s open to everyone and people are welcome to go inside, take their instruments or artwork with them, jam and create!

Be sure you check out the pop-up exhibition with textile work by Moki Cherry, and if you like jazz there is an open workshop on Don Cherry’s music next Tuesday (between 17-20).

To get inspired, watch a jazzy sneak peek from the live concert the 17th of May, with The Organic Music Band!

Date: 17th of May – 9th of September 2012

Place: Backyard of Moderna Museet / Arkitekturmusset, Skeppsholmen, Stockholm

To see the whole program of Bucky Dome, click here

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Filed under Art stroll, Installation, Konsthopp, Live art, Music, Performance, Public space, Stockholm, Textile Art, Uncategorized

“ART IS AN AMAZING WAY TO DEAL WITH LIFE”

– Interview with Tessa Praun (Sweden)

When did you start curating? Tell us something about your educational background and curatorial experience?

Curator Tessa Praun with Ai Wei Wei at his ateljé in 2010/ Photo by Magasin 3

 I started curating for real on my current job, the private art foundation Magasin 3 Stockholm Konsthall. My background is in the Humanities Study Program and Art History at Stockholm University. I did my final internship at IASPIS (International Artists Studio Program in Sweden), an artist in residency program that really got me interested in contemporary art. From there I moved on to shorter experiences at the Peggy Guggenheim Collection in Venice and as assistant curator at Kunstverein München, amongst others. In 2004 I started as assistant curator at Magasin 3 and became curator two years later. Since then I have curated exhibitions with artists such as Miroslav Tichy, Christian Boltanski, Annika von Hausswolff, Marijke van Warmerdam, Ai Weiwei, etc. and have done collaborative projects with other art institutions in Europe and been working with Magasin 3:s own collection.

What is your personal relationship with Ai Wei Wei and his work? How did it come about that you got to curate his show at Magasin 3?

I was very taken by Ai Weiwei’s project “Fairytale” that he did for Documenta XII, this impressive idea to invite 1001 Chinese people to come with him to Kassel in Germany in the summer of 2007. It is a fantastic social multi layered project that lives on through stories that are being told as well as through physical remaining parts with an amazing visual strength. Experiencing this work in Kassel made me read more about Ai Weiwei and follow the work he did after.

In 2010 I was in China and had the chance to visit Ai Weiwei in his combined home and studio in Beijing. This was in a time when he was already very pressed by the Chinese authorities and he had just been under a three days house arrest when we met. Meeting him in his own environment and under these pressing circumstances effected me strongly and coming back to Stockholm I invited him to have the exhibition here at Magasin 3 this spring.

Fairytale (dormitory) by Ai Wei Wei 

Tell us more about the Ai Wei Wei exhibition. What has been your main role as a curator of the show?

From the beginning I knew that I did not want to make a retrospective exhibition, instead I wanted a selection of works that focuses on China as synonymous to mass production and Ai Weiwei’s concern for the individual as a necessary part of the big mass. Ai Weiwei did the first selection of works that he and I then discussed and added to. Only a few months into working together, in the beginning of April 2011, he suddenly was arrested and kept detained on no legal grounds in an undisclosed location. Not knowing what was going to happen, if and when he would be released, me and my colleagues had to decide how to move on. Together with Ai Weiwei’s assistants we came to the conclusion that the best thing that we could do in that situation was to continue the preparations of the exhibition, it felt even more so important to show his work and make his voice heard. Despite my deep concerns for Ai Weiwei’s situation I had to focus as much as I could on completing the exhibition and do so in the most respectful way.

World Map by Ai Wei Wei

Can you explain the importance of the reading room being a part of the Ai Wei Wei exhibition? Why emphasize on all that information?

At the point when Ai Weiwei was detained and couldn’t be part of the preparations of the exhibition anymore, I felt it was important to give our visitors a deeper insight into Ai Weiwei’s situation, why he is on a collision course with the regime and consequently has become so known also outside the art world. So I developed a reading room. A physical one in the actual exhibition space, side by side with the artworks. It includes reading material, a sound archive where various people contributed with their stories and reflections on Ai Weiwei, interviews and documentaries on and by Ai Weiwei. But also a digital one, a special homepage gathering articles, documentaries, the sound archive, filmed documentation of all panel discussions that we have arranged in connection to the exhibition etc. in order for people to explore his work both as an artist, activist, blogger, architect. He himself does not really distinguish these roles. I found it interesting to bring this up through the reading room. Both the physical and digital reading room have proven very useful and much appreciated.

Video work by Ai Wei Wei 

Do you think new and digital media used in contemporary art has brought new aspects to arts and curating? Yes or no, explain why.

Well yes, I think since these new media are part of society today it is only a natural development that also artists explore them and art institutions adapt them in communicating with the audience. In some cases art can be brought closer to the viewer through various new media and attract those who are hard to reach in a more traditional manner. In our part of the world we live in a time with a tremendous fast pace. It is important that art can both adapt to these new circumstances but also offer a brake from just that. The content has to be the driving force otherwise the experience will be lost completely. It is a challenge for both artist and curator to find the right balance.

Stool by Ai Wei Wei

Photographs by Konsthopp

What qualities do you think a good curator should have?  

A good curator knows how to both support and challenge an artist, is curious and open minded, dedicated to the project and flexible to deal with different characters and situations under time pressure : )

From your point of view, how does the future of professional curating look like? What are your personal wishes, hopes and perspectives on your future curatorial plans?

My main motivation for being a curator is to learn more about life. Being close to art is an amazing way to deal with life, to explore notions of the present, history and future, to be inspired to thoughts and feelings. If I can transmit this also to other people then I think I am doing something good.

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Filed under Ceramic Art, Conversation, Curator, Curator Talk, Documentary, Fine Art, Installation, Political Art, Sculptures, Sociopolitical art, Stockholm, Textile Art, Uncategorized, Video Art, Visual Art

SIROUS NAMAZI

Vernissage: 10th of May 2012, Galerie Nordenhake (Stockholm)

Leaning Horizontal (detailed) by Sirous Namazi

Photograph taken from Nordenhake homepage

On-going is an exhibition with work by Sirous Namazi at Galerie Nordenhake in Stockholm. Through mixture of material and media (such as huge metallic installation pieces, goods from supermarkets and collage oil paintings) the Iranian-born artist focus on the urban landscape in the context of instability and failure, in his latest exhibition “New Work”. And as he has addressed throughout his artistical practice, Sirous Namazi continues extrapolating on the themes of social structures and patterns, architecture, consumption and detritus.

Leaning Horizontal (installation, 2012) by Sirous Namazi

Leaning Horizontal (2012) by Sirous Namazi

Untitled (2012) by Sirous Namazi

This is what the artist has to say about his on-going work:

Issues around belonging, consumption, chaos and order interest me. The artistic process has as much to do with demolishing and undermining as it does with creating and building. Many of my works use everyday objects. These Ready-mades originate in the urban landscape but become sculptures when presented in new contexts, namely galleries and institutions. I attempt to open up for new interpretations and discussions that affect contemporary issues.

 — Sirous Namazi, 2012

Untitled (paintings, 2012) by Sirous Namazi

Untitled (three dimensional collage, 2012) by Sirous Namazi

Untitled (detailed, 2012) by Sirous Namazi

The photograph above is taken from Nordenhake homepage. Other photographs are taken by Sophie Koch

Artist: Sirous Namazi

Date: 10th of May – 21st of June 2012

Place: Galerie Nordenhake, Hudiksvallsgatan 8, Stockholm

Opening hours: Tuesday – Friday, 11.00 – 18.00 ; Saturday – Sunday, 12.00 – 16.00

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Filed under Art, Collage/Clip Art, Fine Art, Installation, Paintings, Sociopolitical art, Stockholm