Tag Archives: Collage/Clip Art

HEIMSENDIR / THE END OF THE WORLD

Vernissage: 10th of August 2012, Artíma Gallerí (Reykjavik)

Natural disasters, weapon of mass destruction, reversal of Earth’s magnetic field or excessive alcohol drinking …

What’s wrong with the world? — What might end it? — And why?

These are classic questions which are often asked even though it´s given that nobody knows — for sure — the correct answer.

Here is a tiny glimpse of how our world might end …

Photographs by Konsthopp

Death, disaster and — to a lesser extent, notions of apocalypse have always been visible in the art history. Concerns about the end of the world were often found in films of the 50’s, 60’s and 70’s and the topic seems to have made a remarkable comeback in further contemporary art forms last decades. The theme appeared most recently in “Heimsendir,” an ambitious group exhibition in Artima gallery.

The exhibition was particularly diverse, as you can expect when 23 artists are displaying their work together. The artists are former classmates that studied together at the Iceland Academy of Arts from 2006 to 2009. After their graduation the students headed to different directions — all bringing back new educations, experiences and outlooks.

Apparently — the classmates were cheerful to renew their friendship. After a great night out — waking up the day after with appropriated hangover — some of them probably thought:

Hey, this headache might end the world!

Date: 10th – 19th of August 2012

Artists: Amanda Tyahur, Anne Marte Overaa, Arna Óttarsdóttir, Auður Arna Oddgeirsdóttir, Bergdís Hörn Guðvarðardóttir and María Dalberg, Brynja Kjartansdóttir, Davíð Hólm Júlíusson, Emil Mangúsarson Borhammar, Erla Silfá Hordvik Þorgrímsdóttir, Haraldur Sigmundsson, Hlynur Heimisson, Jonatan Jannert, Kolbrún Ýr Einarsdóttir, Rebekka Guðleifsdóttir, Sara Ross, Sigurlaug Gísladóttir, Solveig Pálsdóttir, Sunna Schram, Þorvaldur Jónsson, Þórarinn Ingi Jónsson, Þórður Grímsson and Örn Alexander Ámundasson

Curator: Árný Fjóla Ásmundsdóttir

Place: Artíma Gallerí, Skúlagata 28, Reykjavik

P.s. In relation to the exhibition the artists published a book that can be bought at the gallery. If you are interested you can check out the graduation exhibition from the same group in 2009 here

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Filed under Art, Group exhibit, Iceland, Konsthopp, Multimedia, Reykjavík

MY SHADOWS

Artist in residence: Elina Lajunen (Finland)

– Read Elina’s previous diary notes; Right time, right place

In Iceland my art project and my own inside travel went together. Difficulties in the beginning turned to be sources of my creativity. I looked at the coast in Vogar. It was black and full of alga and different things from the sea. It looked like the cemetery of the sea. It looked like me, my shadows. But I thought that I wanted to know what was there, in the shadows.

I started to collect things and dry alga in different ways. I made hats from alga! Suddenly ugly and scary things from cemetery became beautiful objects. Darkness turned to be light.  Someone has said that dark and light are actually the same. I believe that. In the darkness is your light.

I also got an idea of Art of the hostessing. I wanted to create space where people can be and spend time, get inspiration, meet people, see art and make art themself. And take a cup of coffee and have some cakes. I created Elina´s olohuone.  “Olohuone” means “living room” in English. It was little festival which took place in Vogar in the 13th – 15th of April this year. I created exhibition to the barn with sofas and tables and things that I found during my travel.

There were three sisters from Chekhov play, hidden people made of photos and shellfish and book about my travel. I also created workshop called Fishfactory. In this factory we made fishes from men ties. I had guests, wonderful artist from Reykjavik and different parts of world working with me. On Sunday we had milonga, Argentinian tango dances, in the home for the elderly. The whole weekend was a great success and I was so happy of all those lovely people and beautiful moments.

Photographs belong to Elina Lajunen

My friend Canadian Poet Angela Rawlings who had great voice workshop in my Livingroom festival spoke about closing things. It’s important to make endings. In the end of the travel I remembered Angelas words. I have to close this travel. What has it been for me? I will say: This travel has been one of the most important things I have had in my life. It was a gift. I feel I found myself, my little inner hidden person, my fairy, my soul. And I found love. Love as a source and energy. I will say like Lovisa; I am rich.

Takk fyrir,

Elina

Elina Lajunen is a Finnish artist. She is a performer, director, visual artist and musician. She has studied music and Puppet Theatre in Finland and Physical theatre in Paris in The International Theatre School of Jacques Lecoq. 

From 2nd of March until 18th of April 2012 Elina stayed in Vogar, Iceland. She has been writing diary notes which she has been kind enough to share with us. This post is the second letter of two. Read Elina´s previous post here.

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Filed under Art, Artist in residence, Guest blog, Iceland, Menningarverkefnið Hlaðan, Multimedia, Music, Uncategorized

KONSTFACK SPRING EXHIBITION ’12

Vernissage: 16th of May 2012, Konstfack (Stockholm)

A glimpse in photographs from the opening of the spring exhibition at Konstfack last Wednesday. The exhibition is open until Sunday 27th of May. Stay tuned for more photographs and interviews!

 Live show & performance by Dyke Hard

“The ceremony” by Tobias Larsson

“I wasn’t allowed to wear black” by Liv Pettersson

“Lugnt, Stillsamt, Vackert” by Julia Dalgren

“PATTERN ATTACK” by Lisa Dalenius

“Smara” by Emma Persson

“Girls Club” by Karin Kakan Hermansson

“Happy meal” by Supawan Sihapoompichit

Work by Ida Bentinger

“Extensions, retractions, and missing parts” by Bianca Niabuco

“Ramené” by Emilie Florin

Work by Yusi-Chen

Work by Jonna Fransson

Photographs by Konsthopp

You can check out Konstfack´s 2011 exhibition here and here!

Artists: Newly graduates with Bachelor and Master degrees from Konstfack

Date: 16th – 27th of May 2012

Place: Konstfack, Telefonplan, Stockholm

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Filed under Art, Ceramic Art, Collage/Clip Art, Design, Digital Art, Fashion, Group exhibit, Installation, Konstfack, Konsthopp, Media, Photography, Stockholm, Textile Art, Uncategorized, Visual Art

THE HIGH SPIRITS OF COLLABORATING

— Interview with Jonatan Habib Engqvist (Sweden)

Photograph taken from OCA

Photograph taken from OCA

Reykjavík Arts Festival 2012 had its kick off at Harpa (Reykjavík Concert and Conference Hall) on Friday night. Since 2004 the festival has been held annually in the capital city of Iceland, each year concentrating specifically on different fields of arts. Last year it was music — this year it’s visual arts. As we mentioned in the post (I)ndependent People, the large-scale exhibition is a collaborative visual arts project that involves many of Reykjavík’s various exhibition spaces during the festival and throughout the summer. Two weeks ago I was lucky enough to have the opportunity to meet up with the curator of (I)ndependent people, Jonatan Habib Engqvist, in his time-intervals between answering e-mails and preparing last-minute actions. Over a long cup of coffee Jonatan told me all about the exhibition, his personal speculations about the project and his own role as a curator.

From the opening at Harpa Friday night

ONE BIG EXPERIMENT

The idea of (I)ndependent people came after a seminar called Alternative North that was hold in Reykjavík in 2011, concerning the economical crises and artists initiatives. The last two biennial formats at Reykjavík Arts Festival (curated by Jessica Morgan in 2005 & Ólafur Elíasson in 2008) were some “big deals” with big budgets. In between there were the financial crisis — and now it’s Jonatan’s turn to curate a biennale with artist-run initiatives.

“The brief I got from Reykajvík Arts Festival (Alternative power station of the North) was strong, even though it seemed like a quite job with compound co-operation between different institutions. But there was something exciting about it in terms of curating and I thought that maybe this complex co-operation might be an interesting focus for the whole biennale.”

Jonatan tells me genuinely how he never thought it would actually work out. He already had his job and gave a radical counter-proposal to the organizers of the festival.

“I thought that maybe this could be the concept itself — the collaboration — to make the biennale to an experiment and see if it holds. I received 100% support. When they said yes to the unbelievable there was no going back. And this whole support makes it a pretty radical exhibition in terms of an international biennale. The conglomerate of art galleries, artist-driven initiatives and artists groups (and their will to co-operate) is what will make this possible. You could say that the entire exhibition is like a one big experiment. Why? Cause it’s fun!”

A SINGLE SIMPLE RULE

“I have received so much support, incredibly much freedom — the organizers are satisfied as long as I keep the budget. Which is incredible and actually pretty cool.”

And from there — the collaboration — the idea starts growing. Jonatan tells me about the idea and how he really wants to take it as far as it goes. There are no solo artists, only groups and collaborations between artists — which is something opposite to the whole biennale logic.

“Normally biennales are based on superstars. And for me the curatorial process is exciting, even though I’ve had to say no to artists that are “big” and which work I like. But I have been very tough — holding hard to a one simple rule. NO solo artists. This is what the whole thing is based on. Everyone work on the same terms, there are no solo exhibitions and beside that there has to be a genuine exchange between partners, a negotiation and artwork that influences the theme.”

HOW MANY CURATORS TO SCREW A LIGHT BULB?

We discuss further the collaboration and I ask Jonatan about his role as a curator. He throws me an insider joke and asks me if I know how many curators I need to screw a light bulb?

“It depends on the budget! Everything will work out (or as they say in Iceland “þetta reddast”) as long as you keep budget. Do it yourself if you can’t afford it … So what I am trying to do is just to take some of the on-going happenings and gather them at one place. That’s what you do as a curator. To gather stuff and see what happens if you put this stuff in the same room. I see one thing there and another thing there — and wander what happens if I put them together. It’s not really that complicated.”

But I’m not sure I can buy that from him. The whole process seems complicated — a hard work. Having a dialogue, sharing visual perspectives, finding the artists right places in the context of the whole …

LIKE A HOUSE OF CARDS

… the whole of which is the collaboration. That is — NO SOLOS. And for Jonatan, being the only curator, makes it a bit bissare.

“It is an exhibition of collaboration, but I’m the only curator — which might create some sort of hirarki. But there is a dialogue, support and a concept that holds and helps working it all out. Still I’m there at the top. But maybe that’s ok. I think that there must be someone in charge, so if there is a disaster they can blame it on me. I might be the one that builds the infrastructure and context but I absolutely see the process as collective. It’s impossible otherwise. But it’s an experiment — bit like a house of cards — and if one cards falls it’s important to have someone who can point out and remind, as a part of the experiment.”

WHERE IS THE ART?

An experiment which is really exciting!The whole concept seems to be a lot about structures, experiments and dialoges — but will there be any art?

“Of course that’s a question that’s popped up in my mind. Working with group of artists is incredibly fun and interesting yet also complicated. The concept of infrastructures, research and experiments is a big part of the exhibition — but at the same time we just want to express art. It’s a framework for the art which is exhibited but not a scale of what you like and what you see. It’s challenging to let the art stand on its own — to see if it holds — and bring to the point both the visual as well as its intuition.”

Photographs taken from Reykjavík Arts Festival facebook page

And that might be an experiment on its own. Be sure to experience you own (I)ndependent people, which was opened yesterday. And if you’re not in Reykjavík, follow the festival with us, we’ll be reporting as much as we can!

xox

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Filed under Art festival, Curator, Curator Talk, Konsthopp, Reykjavik Arts Festival, Stockholm, Uncategorized, Visual Art

SIROUS NAMAZI

Vernissage: 10th of May 2012, Galerie Nordenhake (Stockholm)

Leaning Horizontal (detailed) by Sirous Namazi

Photograph taken from Nordenhake homepage

On-going is an exhibition with work by Sirous Namazi at Galerie Nordenhake in Stockholm. Through mixture of material and media (such as huge metallic installation pieces, goods from supermarkets and collage oil paintings) the Iranian-born artist focus on the urban landscape in the context of instability and failure, in his latest exhibition “New Work”. And as he has addressed throughout his artistical practice, Sirous Namazi continues extrapolating on the themes of social structures and patterns, architecture, consumption and detritus.

Leaning Horizontal (installation, 2012) by Sirous Namazi

Leaning Horizontal (2012) by Sirous Namazi

Untitled (2012) by Sirous Namazi

This is what the artist has to say about his on-going work:

Issues around belonging, consumption, chaos and order interest me. The artistic process has as much to do with demolishing and undermining as it does with creating and building. Many of my works use everyday objects. These Ready-mades originate in the urban landscape but become sculptures when presented in new contexts, namely galleries and institutions. I attempt to open up for new interpretations and discussions that affect contemporary issues.

 — Sirous Namazi, 2012

Untitled (paintings, 2012) by Sirous Namazi

Untitled (three dimensional collage, 2012) by Sirous Namazi

Untitled (detailed, 2012) by Sirous Namazi

The photograph above is taken from Nordenhake homepage. Other photographs are taken by Sophie Koch

Artist: Sirous Namazi

Date: 10th of May – 21st of June 2012

Place: Galerie Nordenhake, Hudiksvallsgatan 8, Stockholm

Opening hours: Tuesday – Friday, 11.00 – 18.00 ; Saturday – Sunday, 12.00 – 16.00

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Filed under Art, Collage/Clip Art, Fine Art, Installation, Paintings, Sociopolitical art, Stockholm

RAINDROPS KEEP FALLING ON MY HEAD

Net stroll: 15th of May 2012, Laura Redburn (U.K.)

I have heard that collage/clip art is trending heavily right now. So on my daily net stroll — I ran across these surreal and spellbinding artworks by Cardboard Cities a.k.a. Laura Redburn.

Photographs taken from Laura Redburn website

Laura Redburn is a collage and mixed media artist from Wales. She is known for mixing found imagery from vintage magazines and forgotten illustration books. Texture and color work together to construct a powerful visual statement through mixed media form.

Redburn aims to create snapshots from dreams and other worlds, leaving the viewer to reflect upon their own creativity and knowledge.

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Filed under Art, Collage/Clip Art, Konsthopp, Net stroll, Uncategorized

DECEMBER DELIGHT

This month´s favourite: Ingibjörg Birgisdóttir (Iceland)

Ingibjörg Birgisdóttir is an Icelandic video artist, mostly known for her music videos and album covers for Seabear, Múm and Sin Fang Bous. She graduated from the Icelandic Academy of the Arts in 2006 and has taken part in several art exhibitions in Iceland, Europe, and America. The work by Ingibjörg are truly emotional, elegant and adventurous.

Photographs belong to Ingibjörg Birgisdóttir

Lately Ingibjörg has been working for Sóley, a great musician and a good friend of hers. Sóley is also a member in the indie collective; Seabear, but the band is leaded by Ingibjörg´s boyfriend; Sindri Már Sigfússon. When it comes to the Icelandic music and art industry, everybody seems to be connected — in one way or another!

For those who haven´t yet listened to Sóley´s second solo album, We sinkI encourage all of you take your time and listen to this exceptional album.

The work by Ingibjörg is our delightful eye-candy this month!

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Filed under Art, Collage/Clip Art, Design, Drawings, Illustrations, Konsthopp, Print, Reykjavík, Uncategorized, Video Art, Visual Art